Street Noms
Street Song (1988) was composed by MTT. Here are notes from the composer:
Street Song is a work in three contiguous
parts — and interweaving of three songs. The
first song opens with a jagged downward
scale suspending in the air a sweetly dissonant harmony that very slowly resolves. This
moment of resolution is followed by responses
of various kinds. The harmonies move between
the world of the Middle Ages and the present, between East and West, and always, of
course, from the perspective of 20th-century
America. Overall the movement is about starting and stopping, the moments of suspension
always leading somewhere else.
The second song is introduced by a yodel-like horn solo. It is followed by a simple trumpet duet. It is folk-like in character and also
cadences with suspended moments of slowly
resolving dissonance.
The third song is really more of a dance. It
begins when a trombone slides a step higher,
bringing the work into the key of F-sharp and
into a jazzier swing. The harmonies here are
the stacked-up moments of suspension from
the first two parts of the piece. By now I hope
these “dissonant” sounds actually begin to
sound “consonant.” There is a resolution, but
it is in the world of a musician who after many
after-hours gigs greets the dawn.
After listening to Street Song a couple of times, I've found that for me it's very soothing, comforting, with only slight shades of discomfort and high intensity, all while it takes you on a journey.
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